#the industry is so fucked up

[forenhypens]

yet another rigged survival show. i wasn’t a huge watcher, but my hearts hurt for jiwoo, jihyun, and chanelle. i hope they know that their talents and their ambition and determination are worth so much more than this industry as a whole. they deserved better. so much better.

[fishfacedterror]

im thinking abt how anya was the one to mainly take care of curly when he became so injured.

how she likely did a lot of "invisible" work, stuff that she has to monitor around the clock. like changing his bandages, maybe washing them to reuse assuming pony express didnt have as much as curly would need in his condition. having to feed him, probably intravenously, and clean him and his bedpan up later because, you know, just because youre burned like that doesnt mean that you suddenly dont have to use the bathroom anymore. checking his vitals. maybe even talking to him to see if hes still cognizant, if not to keep him company.

the only thing she really couldnt do was the thing that reminded her too much of what jimmy did to her

[lazylittledragon]

do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great

i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually

[lemonavocado]

"oh i love frankenstein! my favorite quote from the novel is i have love in me the likes of which you can scarcely imagine-" grabs you by the throat and chokes you violently

[chonideno]

literally where can the zelda franchise go after totk. this is it. we've reached it. the pinnacle of video game entertainment. the whole dev team should just pack their stuff and enjoy a long and comfortable retirement. whoever decides their team has to follow-up on that with the next zelda game should answer for their crimes at the hague. what the fuck. I haven't even beat the game yet but what the fuck.

and how are AAA video game devs everywhere not losing their minds. how the hell did nintendo do any of that? and on that console?? you mean to tell me I can stack 15 differently shaped objects on top of each other and they don't vibrate violently into the skybox?? you mean to tell me the physics engine gladly accepts whatever I throw at it and holds it all together without dropping a frame while running on a machine that was outclassed two generations ago??? this is not witchcraft it's a grandiose demonstration of mastery over every aspect of game development that casts an immense shadow over every other AAA studio. fuck. fuck!!!!

everything about this game is crazy to me. the visuals are crazy. the soudtrack is crazy. the complexity of all systems and how they interact is crazy. the sheer amount of non-repeating content, NPCs, quests, dialogue, puzzles, environment variety - all crazy to me. every time I boot up this game I am humbled by the monumental effort and obvious love that went into every facet of the resulting experience. no cut corners anywhere. mirror-perfect chrome polish.

it's so rare we get something like that, in any field. I'd understand if nintendo never made a zelda game ever again because how do you follow that. god I hope everyone who worked on this game got the fattest check and the sloppiest head. I'm so happy I get to live in shigeru miyamoto's world

[hussyknee]

I just want to make one thing very clear. Black and brown people, especially Muslims right now, don't owe white people for your allyship in racial justice. Not even those who are themselves systemically marginalized in some way. Not white Jews, not white queers, not white disabled, not white working class, not white poor.

Whiteness is the most lethal kind of oppression because it built the current colonial capitalist, imperialist world order. Every white person benefits from and is complicit in its systems in some way because white supremacy is global. Whatever marginalization has white people in it can be and is easily weaponized against the mellanated. When charged with your racist, exclusionary and oppressive behaviour you hold up Black and brown people of the same marginalizations as tokens. This is the only time they are ever visible; more often than not you profit off their labour, hoard their gains, throw them under the bus and make them part of your iconography for liberal progress points once they're dead and have no inconvenient opinions about your conduct.

This is why it's very hard for Black and brown people to take accusations of bigotry towards you in good faith. We also have a duty of care towards others but more often than not it feels like you want us to do what you want while holding a knife to our necks. Even when you don't do it directly, you issue demands like "if you don't do x and y you clearly don't care about my people and deserve the worst!!!" without considering for a moment that the full brunt of that policing will always fall on Black and brown people, because punitive justice exercises itself first and foremost on the vulnerable. If your demands for allyship carry disproportionate punishment for Black and brown people should we refuse, you're just on some power trip and never needed our help in the first place. This also obfuscates the needs and disenfranchisement of BIPOC Jewish, queer, poor, disabled and Global South people, because without racial justice, few of your gains will ever materialise in their lives. It's always trickle down liberation for the rest of us.

Your allyship is supposed to be the work of conscience, a recognition of injustice and a drive towards privilege equal to your own. For white people, it's an individual reparation on your part. It is not an act of kindness, or benevolence, or a transaction that must be repaid in kind. The worst of us deserve the same rights the worst of you already have. That's the meaning of equality. If you're willing to let us get fired, deported, or brutally murdered for bad behaviour, then not only were you never an ally, you were also just waiting for the opportunity to use that weapon you claim you never wanted. There is no justice in an asymmetry of power.

[cozylittleartblog]

if star wars was pitched for the first time in today's entertainment industry it would be turned down. and so would any other thing that's currently a "big IP". where do idiot executives think the IPs come from to begin with???

[jaythelay]

Nintendo filed for the patent after Palworld was already out. In fact, the feature was already in several games before Pokemon.

So they legally stole an idea and are suing people for using such a broad concept of said idea.

Oh! And now they're taking down people's Channels for making videos about emulation (This (Emulation) has long be established as Legal? Legal. Bastards.)

If Nintendo wins this lawsuit, Japanese companies are going to patent Eeeverything and start suing Eeeeveryooone.

Nintendo Needs To Lose So Hard They Lose The Patent. Genuinely anything else? Kills the games industry.

Nintendo is willing to, Once, Again, Throw the entire Industry under the bus for Just A Bit More Money. These fuckers aren't even competing with Anyone, they just want to destroy competition. Remember what became the ESRB trials? Did you watch those? Because that was the first time Nintendo put the industry into uncertainty and censorship Just To Spite Their One Competition, Sega. Had the US government not been reasonable? And say "regulate yourselves" Gaming would have died.

Nintendo is absolutely disgusting, pathetic, incapable of competing with even it's own fans without pulling a gun on them, but hell has no fury like Nintendo's legal team seeing anything thay challenges Nintendo's perfect little image.

Please. Do Not Support Nintendo Anymore. If you care about Art, Creation, people's Careers, yourself and your friends, you will choose to harm Nintendo'a BottomLine by no longer giving them money, by talking shit online. Nothing else will work.

If Japanese courts take Nintendo's side, nothing will stop companies from patenting first person shooters, from patenting platformers, from patenting MOBA's, nothing is safe.

What Nintendo has effectively started is quite literally the end of gaming. They're Attacking Indie developers, they're attacking all artists of all sectors, they're attacking your ability to create, they're attacking people's livelihood, they're attacking everything built up over the course of nearly 6 decades, just to spite One Fucking Game.

[theliterarywolf]

"I don't care about the Writers' Strike because a few of the shows I watched had shitty episodes"

Under that same logic, no Starbucks employee should get paid or treated like a human being because their quality has tanked in the past few years.

Under that same logic, no nurse should get paid or treated like a human being because of the few who were being obnoxious on TikTok during the Pandemic.

Under that same logic, no one working for an ISP (be it Customer Service or maintenance) should get paid or treated like a human being because of shitty response times.

If you can't understand why that logic is faulty as hell, then could you just admit that you don't see writers as human beings and move along?

[proudfreakmetarusonikku]

Friendly reminder that Dream repeatedly made sexual jokes about actual teenagers, including a thirteen year old, sometimes after being asked to stop (keep in mind he was 21/22, five years older than Tommy and eight years older than Lani) up to and including coercing Tommy into saying he loved him in private DMs or he’d destroy Tubbo's villagers (then getting shocked that Tommy could find it weird) there’s been evidence of him pushing extremely important boundaries on safeguarding as some sort of fucked up joke for YEARS. Even in the most charitable possible interpretation he thought acting like a creep in private to a teenager was something extremely funny to tell an audience that skews very young (if you’ve been to any events for these guys, they’re primarily children too young to use social media, I’m not talking about teenagers I'm talking single digit age children) and that’s something I think makes me extremely fucking skeptical he was some angel when he WASN'T in front of the cameras. If he thought that was an acceptable boundary to push while being watched, I have zero doubts he'd act like people owed him their success in private.

[inkskinned]

you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can't afford the doctor's you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.

(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)

but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you've done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn't it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.

(what attention could this doctor possibly give? what validation? that's their fucking job, isn't it?)

there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking "for a quick fix". or some idiot who wasn't educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don't deserve to be treated like humans (right), and since you might be one of these people, you also don't get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you're actually probably faking it.

(more often than not, you find a 2:1 ratio of these stories. for every "hypochondriac", there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it's too late, and it's going to kill me.)

you are actually just making excuses. someone else got that procedure or that diagnosis and he's fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you're just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you're just being a baby.

(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won't, but that moment - god, fuck. the pain just goes on and on.)

you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn't lying - the anesthetic drip hadn't been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you're just having a bad period.

in the ER there are always these little posters saying things like "don't wait! get checked today!" and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.

but you go into the doctor. the problem you're having is immediate. the person behind the counter frowns and says we're not taking your insurance. you will be paying for this out-of-pocket.

they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you're a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.

it's okay. it's okay, it's just another thing, you think. it's just another thing i have to learn to live with.

[ipushedthewrongbutton]

Imma do this final vent and then I’ll shut up about it.

This was a dumb move, from every possible perspective.

In the og goodbye video, they really made it sound like they were doing the streaming service because they wanted to go bigger, make cooler videos, really see what they could do and let their creative vision take the lead.

Growing as an artist is what you do when you Already Have The Money To Do So. You don’t tell your audience “give me money and then I will use to it to make cooler bigger things”. That’s not a streaming service, that’s a kickstarter.

They didn’t have the numbers to pull a streaming service off either. “We think we’re ready for television quality content” no you don’t. Sorry, no you do not. Television quality content means 30-50 crew per project, means at least 4-5 production being worked on at the same time, and at least 4-5 productions being broadcast at the same time. Watcher has maybe 2 series they upload simultaneously and they have 25 employees TOTAL. Not even CLOSE to tv levels of content, who the fuck do you think you are???

Did they really think all 3 million of their subscribers were going to follow them on this? Including kids, whose spending is dependent on their parents? Including the casuals, who only subscribed for the occasional video? Including people for whom $6 dollars on another streaming service just isn’t an option? Why DIDN’T they poll this, was this being a surprise really that important??

AND why would you completely cut off another revenue? Even if YouTube is restrictive, it’s still another source of income. Cutting that off completely is… bold.

Especially since in the apology, they let it slip that no, actually, it’s because Watcher is on the brink of having to close up shop because they’re not making enough money with just the patreon, the merch sales, the ad reads, etc.

So… one of those is a lie. Or at least part of the truth.

But let’s assume they are in financial trouble, then this was still the dumbest they could’ve done.

Welcome to the entertainment industry where we follow 1 giant fucking rule: Kill Your Darlings.

Fellas, pals, amigos, bros, dudes. If your projects spend more than what they make, it’s time to downsize. Not upscale. Cut the shit that’s spending the most money, start concentrating on how you can conserve without having to fire your crew. Put the projects where you have to fly out and buy new stuff all the time on the back burner, you can get back to them once you actually have the money for them. Work with what you already have. You have a MASSIVE studio space, fuckin use it. You HAVE sets, you HAVE props, you HAVE talent and you have ideas. Start workshopping all the crazy and shit ideas you thought weren’t gonna work and start thinking how you could make them work with the lowest possible budget you can have. Your audience is there, they’ll watch whatever you throw at them. Now is the time to go crazy and see what sticks. You HAVE viewership. Collab. CONSTANTLY. Get it the fuck out there that you exist. A lot of people had no idea a patreon existed, mention it ALL THE TIME. To the point that it becomes annoying. Do it!

If your studio is becoming too expensive, get rid of it. Sorry, kill your darlings. Move some shit around in Steven Lim’s tesla garage, put up some green screens, this is where you work now until you can afford a studio in LA again, you dipshits. Editors can work from home, sound designers can work from home, writers and researchers can work from home, meetings can happen in someone’s kitchen or living room.

And finally: be transparent. Be honest to your audience and communicate. “We’re sorry to put Ghost Files on hiatus, however we can no longer justify the cost of traveling to locations.” The majority of your audience will understand and show patience. The part of your audience that matters will wait and enjoy your other wacky shit in the meantime. Hell, they might spontaneously start their own kickstarter because those who can, will want to support you financially, if you’re just hONEST WITH THEM.

As a business, you constantly have to choose between your financial stability and that of your employees, your vision and the future of your company and what you Want to do with it, and your integrity, the trust between you and your audience. (Especially that last one, businesses can’t pretend they don’t have a relationship with their audience, that’s not how business works, guys.)

When you’re in financial straits, one of those has to go. Watcher chose the latter, they should’ve picked the middle. Their grand television quality ideas can fucking wait, if money is a problem.

Look, I’m an artist too. I had a vision too. But it was either my creative vision or being able to afford food and rent. Creativity can wait, creativity will always be there once I can support it. Living comes ALWAYS first. Asking my audience to fund my huge artistic dreams though, with only the promise of something cool, NEVER even crossed my fucking mind. That’s what donations are for, that’s what the patreon is for.

They apologised. And good. But this was a dumb decision from the goddamn start. There were like 500 steps in between and they skipped all of it. And for what? For money? For grand ideas? For greed or for hubris? How many of their original subscribers are actually gonna come back? How much money did they lose with this stunt? If they really are in financial trouble, this MASSIVE risk -which is what it has always been- might just be their downfall. And it’d be 100% their own fucking fault.

[lesbiancolumbo]

So I did not like The Substance but people seem to be so determined to be dumb about it. Elizabeth is young and old, but the young self wants more time to be young, which has adverse effects on the older self, and eventually the obsession over youth and the reality of old age merge into something grotesque which cannot be hidden anymore. It's very obviously a parable about the beauty industry and how one person's life -here side by side to create narrative and done through horror conventions- can be destroyed by trying to stall time. Listened to a podcast about it where the first thing the two hosts ask is Where they really the same person? and talk for the first few minutes about how unclear it is wether they're the same or not. Then later one of them says she might be giving the film a generous reading.

thank you for being perhaps the first normal person in my inbox about this. i've never at any time stated that people have to like the substance (like, it's fine!). it's that the most vocal haters of it are seemingly going out of their way to deliberately misunderstand/be obtuse/be fucking stupid about it is what's compelling me to call out the double standards/bullshit, not that a minority of people aren't liking it. i honestly expected more people to find it polarizing! it's VERY polarizing. but it's NOT, at any point, hard to understand. one critic who i really do respect (or i did anyway lol) as a writer literally said that bc this film 'felt' surface level to her she was going to approach the analysis from a surface level also. and then proceeded to be like these are clearly two different people. girl you FAILED step one. anyway i would have turned that podcast off within minutes lol. but i also am the first person to just turn off a podcast the minute the analysis goes to a place that i find fucking idiotic, which is why i do NOT listen to many movie podcasts!

lollllllll, get his ass!!!!!!!

as someone who is already dreading having to deal with the one film podcast that i do listen to having to jerk off megaflop and "idk it just felt off to me! somehow!" handwave the substance in their end of the year coverage i am tired.

imagine watching the substance and then discussing/critiquing the substance and saying with your open fucking mouth "beauty is what we can control" congrats you failed step one. go directly to movie jail. do not pass go. do not collect $200.

[eddiediaaz]

that call center job so far seems okay. the company and colleagues seem really nice, it seems to be a good environment. so far so good. i only have good vibes. but the fucking low salary!!! how am i supposed to get by working part time with that? (because i'll be going to school full time on the 30th, taking yet another school loan) i have no clue. it'll be really difficult. the hourly salary is about 45% of what i used to make working in vfx (after 8 years) so it's like. such a slap in the face and such a rough fall tbh. especially when up till june this year i was expecting to go back to the vfx industry after a couple months being unemployed.

anyway AT LEAST it's a job, it's better than nothing, i know. but still, it's very difficult to come to terms with this and realizing i will never have that salary again, or at least not anytime soon. i won't have the life i think i was gonna have. it'll take like another decade to have an okay salary like i used to have (just for 2 years in 2021-2023 tbh). it's really hard realizing i won't be able to like...put money aside for travel and a car/condo/house or things like that. i'll probably won't be able to get a dog like i've been dreaming of cause i can't afford to move somewhere where dogs are accepted. unless i find a sugar mommy or daddy i guess. i know it's the depression talking but it truly feels like life's not worth it right now and it's hard ro imagine it ever will.

[fruitsofhell]

Yall, its time to ramble about visual/environmental storytelling cause this is silly article is driving me insane.

I won't argue for if the game should have had more constant and involved cutscenes like Robobot or Star Allies, but what I will say is that this game is VERY rich in story through the world design. The Forgotten Land as opposed to say the Land of the Sky in TD or the entire galaxy of Star Allies is like, DROWNING in writing and narrative. It builds so much mystery and intrigue through the theming of every world and even individual levels, with exploring both how the people of the land originally lived and how it's being reclaimed by nature and the animals.

I think the closest things maybe is Robobot and Halcandra in RTDL, the former having great little designs that key you into WHAT Haltmann is doing and what makes it so toxic. Halcandra though is the ultimate grand-daddy, the contrast between it and the Lor, and Egg Engines and Dangerous Dinner is full of theming and clues about the nature and history of the planet. AND THAT IS STORY, THAT IS WRITING! Especially when compared to say Star Allies, where most of the levels of the levels are just ye average Kirby themed fluff with little to say about the Jamba or the state they've left the galaxy in. But when you play through the casino levels of Robobot, as well as delightful theming and level design, you see that Haltmann is erecting literally the most predatory entertainment centers imaginable. When you step off the sleek futuristic Lor into the scrapyards and wastes of Halcandra, you get fun intimidating final worlds, and a good grasp on *why* the people who made the Lor aren't around anymore, and may even start questioning why Magolor made such a great fuss of dragging you to this horrible place. Music is also deeply important to this storytelling. Each of the factories/towers erected in ever world of Robobot's theme is a remix usually of themes related to older mechanical levels, subtly clueing you into where Haltmann go their technology from. Outside the Lor rather than the comfortable motif of Green Greens is this almost comically suspicious and disoriented theme once you're stuck on Halcandra and returning to Magolor with more doubts about his words. The final level inside of the volcano house a theme that is teasing the twist to come, and the theme for fighting Landia before the big reveal is less triumphant, and more majestic and pensive. Possibly trying to evoke more hesitance than confidence, even if most people wouldn't catch on to that on a first run.

But the cooler thing, is that while Robobot has this cool theming at key levels, and RtDL does at the end, this type of shit is pervasive ALL throughout Forgotten Land. Every world and nearly every level is a unique, well thought-out set piece! You get to see abandoned towns, cities, malls, stores, factories, resorts, and an amusement park, each which serves as more than just a fun location, but a clear picture of the world and the state its in. This intent is made clearer through the music and tone that goes out of its way to not highlight the destruction of these areas but their beauty, wonder, and mystery through the eyes of an clueless animals and our favorite pink alien. The abandoned Alivel Malls theme is a track as upbeat and peppy as what must've played over it's speakers in it's hayday, because the hustle and bustle breathed back into it by the animals and Kirby just exploring this mysterious complex is just as lively. The theme of the Everbay Coast is peaceful and sunny despite the Holine ruins because it's as part of the scenery to the animals and Kirby as the picturesque palms and sands. And Wondaria!!!!!!!!! OMG WONDARIA WHERE TO EVEN BEGIN WITH EVERY FUCKING LEVEL AND THEME IN WONDARIA!!! THIS IS WHY I CAN'T TAKE THAT CLAIM SERIOUSLY - y'know when I cried at Forgotten Land? In world 3. Not because of a cutscene or a line of dialogue, but just from the sheer emotion the setting evoked in me. The sweet, laid-back, starry-eyed wonder that it expressed from Kirby mixed with my own sense of nostalgia being aware of what that place was, and how beautiful it was to see it rediscovered and adored by Kirby and the animals of the Forgotten Land. It evokes such a strong feeling of bittersweetness, of existential dread comforted by the knowledge that the simple joys and memories we create places like amusement parks to share will continue on as long as there is life in the world. And unlike some of my musings about past games, this was explicitly intentional. What truly brought the tears to my eyes was remembering an interview where the devs were explaining how they were trying to keep the tone light and Kumazaki said specifically they wanted to evoke peace and beauty rather than loss.

LIKE THIS IS WRITING! This is storytelling, this is intention. It's just subtle, but not at all unimportant, and it ties into the more overarching plot. It raises the question constantly of where the people went that is answered by Forgo, and expresses the dichotomy between the simple innocence of the animals compared to the ambitions of the people who abandoned them and that is now possessing their leader. It creates stakes for Elfilis and Forgo's intentions to destroy everything so beautiful and pure about the current world, but as it absolves the current world of guilt, it puts into perspective JUST HOW LONG Forgo must have been locked away that things changed so much. And as softly as the exploits of the original people are portrayed by the game, knowing their treatment of Eliflis and Forgo as a thing of entertainment and tool for innovation is sickening placed in contrast with it. Like back to Wondaria, the way it shows how much space travel must have pervaded the imagination and escapism of the people either before or after Forgo's arrival is insanely smart. And it gives me chills in the best way seeing Kirby run around images of cartoon aliens from a civilization who would never meet him. Of Kirby, Elfilin, and Bandana sticking their head into a cardboard cutout of an astronaut meeting an alien, with the text "wish you were here" above in a script they don't even understand. A SCRIPT THE WRITERS MADE FOR THIS GAME SO THAT THEY COULD ADD MESSAGES LIKE THAT INTO THE WORLD FOR KEEN PLAYERS TO NOTICE AND MAKE CONNECTIONS. Like it's insane. The dedication the Hal Labs has to stuff like this is maddening! It's so sweet and heartfelt and crafty, I'm so pissed off how little respect it gets because people don't understand visual storytelling!!!!! Saying Forgotten Land is light on story is preposterous, it might just be one of the most finely crafted stories the series has had to date, and is just a really solid piece of science fantasy writing in general honestly. It is packed with environmental storytelling that drives me Up The Fucking Wall, Man.

[whetstonefires]

I think it's reached the status of pet peeve for me at this point, how common it is in the fandom for people to assume that adoption into the Jiang family was a unilateral good, that Wei Wuxian definitely wanted and which was withheld from him, thereby proving he was not valued enough by his sect and teacher.

Partly just because that's boring, and leads to boring interpretations of the characters, personal opinion.

Partly because it often tends to reflect an uncritical absorption of the in-universe classist belief that being the son of Wei Changze was inherently valueless, and not worth keeping for its own sake.

And maybe especially because I'm starting to feel like it arises from an overall really flat perception of adoption as an institution, that American fans of a Chinese piece of fiction should maybe subject to more scrutiny.